My first thought when I
entered the museum was “OMG such a wonderful space”. So white, so mysterious,
so incredible. This is the first personal Japanese artist Takashi Kuribayashi, whose interest is the conception of a
border. In his young years he used to spend much time at the seaside or
mountains, and now he tries to look into relationships which exist in “between”
of different types of substances or spaces.
The main object called
“Wald aus Wald” occupies all the 1st
floor of the museum. It’s a huge paper canvas fixed between ceiling and floor.
It has holes on the surface, from which you can see outside space – it looks
like a white forest with paper trees. This work provides an opportunity to have
an experience of being above and underground at the same time.
Another way of studying
borders is showed in Kuribayashi’s performance with yatai (traditional Japanese
food stall). The artist was carrying
the yatai to the different places in the world (on the exhibition are represented videos from Nepal, Singapore and
Korea), meeting people who live
there and try to research a concept of people’s relations and meaning of space
in the modern globalized world.
After natural disasters have happened in Japan, he became to consider nature not only as a
subject of aesthetical joy but also as a power which can manage people’s life.
It comes out in the works “Iceberg” and “Icicle” through using an incredibly
fragile medium such as ice.
Directions: Cheongdam st., line 7, exit 9. Walk straight 5 min.
Entrance fee: 10,000 won
Thru October, 16
www.beyondmuseum.com
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